Para-Portrait

Dev Studio 1 | Tim Durfee | Media Design Practices

Systems Prototype


Tools: Potassium Ferricyanide, Ferric Ammonium Citrate, Paper, Water, UV light (sunlight)

Role: self-directed

 

Create a self-portrait using a randomly assigned mode of photography. The mode of photography I was assigned was the photogram (chemical) / cyanotype (chemical).

Prompt:

 

Carefully research how the cyanotype process creates images that is unique from the other photography process - optically, mechanically, chemically, and/or digitally.
Experiment with this tool, focusing on the qualities, glitches, capabilities specifically related to its design.
As particular qualities emerge from this research, continue your experimentation to develop your own techniques that reveal or expose (or mis-use, or exploit, or amplify) the inherent nature of your tool.

Process:

The cyanotype process is placing stencils, acetate, or objects on a photo-sensitive paper and exposing it to UV light; in this case, sunlight. These objects make negative shadow images that show variations in tone depending on the transparency of the objects.

The part of the paper exposed to light = light blue.

The part of the paper not exposed to light = white.

The more transparent the object the lighter the output, and the more opaque the darker the output.

Opaque objects directly touching the paper create a harsh dark-to-light contrast (blue-to-white).

After researching different cyanotype making Dadaists and Bauhaus artists partook, I was inspired to iterate with changes in object opacity, relational closeness to the paper, object and body parts moving during exposure, and direction toward the sun.

 
 

objects with a range of opacities, body parts with a range of closeness to the paper

 

feet on paper facing different directions to the source of UV light (sun)

 

object movement during exposure

 

scratches on paper during exposure, objects with a range of opacity + extra layer of chemicals added to the paper

 
 

objects with a range of opacities, body parts with a range of closeness to the paper + extra layer of chemicals added to the paper

 
 

face directly laying on paper

 

feet, translucent objects, pebbles that scratch the paper during exposure + extra layer of chemicals added to the paper

 

object movement during exposure + extra layer of chemicals added to the paper

 

objects with a range of opacities + extra layer of chemicals added to one side of the paper

 
 
 
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Emergent Conditions